Phenomenon

Phenomenon

John Travolta. Those two words used to send millions of women (and men) all around the world into a dancing frenzy back in the seventies. He could claim credit for the modern equivalent of the estrogen brigades (for the net crazy "X-philes") of Fox Mudler and Assistant Director Skinner. But nowadays, equipped with a paunch and that same disarming smile, he is proving himself to be more than a passing fever. Together with the great cast of this latest offering from the Disney studios, Travolta lifts "Phenomenon" (tele-kinetically, no less) above the mass of mediocre summer releases.

For doubting thomases who thought his brilliant gun-slinging portrayal in "Pulp Fiction" was just "luck of the draw", his portrayal of a simpleton with nothing but heart should re-categorise Travolta from "comeback kid" to "talented actor"; he did not allow "Phenomenon" to degenerate into "Forrest Gump Part 2". The similarities are obvious: a nice, simple fellow earns the favour of Lady Luck and does extraordinary things. Yet, that's all there is. "Phenomenon" packs a higher reality-density than "Gump". Countless scenes in "Gump" had me trying to pull wool over my eyes just to stop myself from laughing at the sheer ludicrousness. Despite the fact that going to the movies is about the suspension of disbelief, it should never be equated with treating the audiences as hoards after hoards of idiots. George Malley (Travolta), on the other hand, comes across very naturally (and believably) ...

Phenomenon

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