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A Farewell To Arms
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A Farewell to Arms
From Ancient Greek playwright, Euripides, ("To die is a debt we must all of us discharge" (Fitzhenry 122)) to renowned Nineteenth Century poet, Emily Dickinson, ("Because I could not stop for Death/ He kindly stopped for me -/ The carriage held but just ourselves/ And Immortality" (Fitzhenry 126)) the concept of death, reincarnation, rebirth, and mourning have been brooded over time and time again. And with no definite answers to life's most puzzling question of death being given, it only seems natural that this subject is further explored. Kurt Vonnegut is one of many modern writers obsessed with this idea and spends many of his novels thematically infatuated with death. His semi- autobiographical novel, dealing with his experiences in Dresden during WWII, named Slaughterhouse Five, The Children's Crusade or A Duty Dance With Death, is no exception to his fixation. "A work of transparent simplicity [and] a modern allegory, whose hero, Billy Pilgrim, shuffles between Earth and its timeless surrogate, Tralfamadore" (Riley and Harte 452), Slaughterhouse Five shows a "sympathetic and compassionate evaluation of Billy's response to the cruelty of life" (Bryfonski and Senick 614). This cruelty stems from death, time, renewal, war, and the lack of compassion for human life; all large themes "inextricably bound up" (Bryfonski and Mendelson 529) in this cyclically natured novel that tries to solve the great mystery of death for us, once and for all. Billy...
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